Prince Charming: CHARLIE FOX

Prince Charming: CHARLIE FOX

Prince Charming alert!! This is where we celebrate the kick ass men in today’s world who are setting the bar high when it comes to love and respect.

Introducing Charlie Fox: 

1) Describe yourself in three words:

Well, I had to take an online quiz to figure this out, but it only came back with empathetic. I would add creative and curious (like the cat, not curious as in strange, then again…).

2) What do you think a modern-day Prince Charming is? 

To be honest in this day and age it sounds suss! I imagine Donald Trump thinks he is a ‘Prince Charming’, but hey I get it! Can I add ‘low attention span’ to the above answer? It is just 3 words….?

Ok, so a modern PC would be a man who understands not just women, but humans. I think to understand women you have to try to understand all the sexes. To do this you need to have tons of EI (emotional intelligence) and according to my old workplace when EI was the ‘must have’ corporate fad of the moment and they tested me for it: I had boatloads.

I’ve spent most of my life working in radio, dealing with high profile egos and to do this you need boatloads of EI! (that’s EI not E… although that could also help).

Ok, so I’ve veered off topic again, the simple answer is understanding. Understand what drives females; why they are the way they are. I find all women interesting and fascinating, so I treat them with respect and a slight bit of awe.

Also please understand, I believe a Prince Charming should be a Prince Charming to everyone, not just females. But of course, for the #TheFairyTalesLied I’ll stick to women.

3) What’s one piece of advice you would give to young men? 

Again, understand women!! Well at least try. Think about this young man, a little girl is usually treated like a princess because, well let’s face it, little girls are so damn cute (in a baby bunny rabbit kind of way). Bear in mind, I have a son not a daughter, so parents of girls may not agree with me on this.

The little girl grows up to be a young girl and starts to go through puberty, then the period arrives. At which point, putting myself in that young girl’s sparkly sneakers for a moment, I would be thinking… ‘You’ve got to be fucking kidding me!? I bleed!? For how long?? How often? Fuck off!!!!!’ All of a sudden the cute little bunny rabbit must feel betrayed and horrified. Surely there’s some mistake???

Here she is at her most vulnerable emotionally, trying to look attractive while battling the old raging hormones, acne and then the period happens. Monthly. Faaaaarck me!

So this alone makes me (and remember the website quiz I took told me I am empathetic and don’t forget, the EI part) have enormous respect for young girls, even though some appear to be batshit crazy, I know they have good reason.

Ok, so after that kick in the guts my young male friend should we talk about what it feels like to be penetrated? Why are you squirming?

And just to top it off, after all of that, the girl is now a woman, and pregnant. After watching my wife (whom I am proud to say is a #STFLKween) go through this fun 9 months, my level of respect for women could go no higher!

Childbirth? OMFG!!! The horror!

I don’t want to bring religion into this (well obviously I do) but not only would the christian God be male, he would also be misogynist! Surely, there has to be a way to make life easier for women. Men have none of these problems! Imagine if you were sitting down with a clean sheet of paper to create the human race and went “Right, I’ll have 2 sexes for humans, to procreate, the male will stick it in here for amazing pleasure, the female… well fuck it, I’ll make her life a bloody misery!!”

When it comes to females procreating, wouldn’t eggs be a better solution? Really not my field. But, if I was a woman and made it to heaven, the first thing I’d do is punch God in the face.

Naturally, at this stage, the young man I was giving advice to would be backing away going “Ok, dude, I’ve gotta be somewhere…”

The point is, try to put yourself in the place of the human you’re dealing with. Have a think about how easy the male gets it compared to the female.

And then think about everything else girls/women have to go through. Jackson Katz, a social researcher, asked men what they do on a daily basis to avoid being sexually assaulted. Then he asked women.

Just awful! Once again. Men don’t think, because it doesn’t happen to them. But they can always be aware!!

4) What does feminism mean to you? Would you call yourself a feminist? 

To me, it is standing up for women through fairness. There has been a lot of great stuff to come out of the #MeToo campaign. Not the least of which, was calling out these pricks that gave all men a bad name like Weinstein. I hate that people stood up for them because they’re powerful, celebrity or worst of all ‘creative’. Don’t mention Woody Allen please.

For me, one of the really helpful things for men was the notion that ‘it’s not ok to have a mate who talks about women like they’re sluts without calling them out on it’: this is literally once again misogyny. Why are you hating on women?

For some reason (and it seems to start with young boys), you’re not a real man unless you point at girls and go “I’d love to have my way with that dirty bitch!”. Whoa! Dude!! Hang on, you want to think about that statement? Do you have an IQ of 3? Seriously.

Feminism also means equality. In every way. To be honest, I’ve been lucky working in radio, where some women earn more than their male partners (on-air and off-air). I like to think I treated everyone equally on my staff; although it was and still is a corporate battle wages-wise.

But being a huge fan of Twitter and tech, I follow a lot of geek girls & tech journos. They are forever pointing out horrendous inequalities. Like, serious female scientist being ignored for awards or even basic recognition. Uni scores being marked down for scholars because they’re female.

I don’t understand it. I am always outraged. White male privilege is a serious problem.

Yes, I call myself a feminist.

5) Which Kweens have influenced you? How did that make an impact on your life/career?

Well apart from my mum Edith, my aunt Aggie and of course, my beautiful wife Ronni; whom I hired not because she was incredibly beautiful and sexy (and still is) but because I thought she was a hugely talented communicator on-air (and still is).

And aside from the 60s boyhood crushes on Barbara Eden (I Dream Of Genie) and Elizabeth Montgomery (Bewitched), I tend to go with current gals. Mainly, because I have a shocking memory and spend so much time on Twitter!

I guess, Oprah Winfrey, Michelle Obama, JK Rowling are all amazing humans. I love intelligent women, who are not afraid of a fight, who stand up to (male) bullies and destroy them (verbally).

My current crush right now is Jacinda Ardern: The New Zealand Prime Minister. She is all those things and more. And gave birth while running the damn country!

Amanda Keller, who I worked with at WSFM in Sydney, is an incredible woman and with an astonishing talent. Once again, Amanda is bright, quick witted and a great role model for women (and men to be honest).

6) What are your working relationships like with women?

I pushed hard to get female announcers/presenters on-air. There was a lot of male push-back. They said “Research shows even women don’t like female announcers/presenters”.

Bullshit. It never seemed to bother the U.S stations. They were 50/50.

I prefer working with women. I find them more dedicated and capable of giving great feedback. I guess because women are naturally more empathetic and have lots of emotional intelligence. Whether they are behind the scenes or on-air, I just like working with them more. Radio is all about communication, and I think women excel at that.

7) What do you hope for men and women in the future?

Simple, equality. Not because it’s enforced but because men wake up to themselves and try to understand the injustice that has prevailed forever and is still in place.

8) Which fairy tale character, do you most identify with? Or who would play you in a movie? 

Well animated it would be Shrek.

Otherwise, I would be all of the three bears, all played by Benedict Cumberbatch. Scarlett Johansson would play a kick-ass Goldilocks. Pretty much like her Black Widow character in Marvel. The bears would get what’s coming to them for being so whiny and self-centered. Actually, maybe Scarlett is playing me in this… hmmm definitely needs more thought.

Charlie Fox has worked in Sydney radio for a long time but only at three stations, 2SM, 2MMM & WSFM (where he also looked after The Edge 96.ONE); all were #1 radio stations. He was Group Program Director of the MMM network, until he chucked it in to start his own web design company (NetHead): with clients like KFC and network TEN. Charlie then spent a year setting up a streaming radio station in New York before returning to Australia as Content Director of one of the world’s very first streaming music video stations thebasement.com.au. In 2013, Charlie won ‘Best Program Director’ – Metropolitan at the Australian Commercial Radio Awards but apart from radio, he also loves tech & gaming. Charlie is currently a gentleman of leisure.

When it comes to the radio legend that is: Charlie Fox, Carmela can testify to all of the above and more. What Carmela cherishes the most about Charlie though, is not that he simply was the first man to give her that lucky big break in radio (which changed her world forever). But it’s the other things, that she’s sure, Mr Fox is not even quite aware of.

Let her indulge…

Carmela once caught Charlie mouthing the words ‘Thank you for Carmela’ to another radio acquaintance (who had recommended her to him). Proving that not only can he nurture talent but be gracious about them being in his company at the same.

Charlie was the first male boss that Carmela wasn’t afraid to be herself around: if anything, he encouraged it. Proving again, that women don’t need to dumb themselves down or look a certain way to be noticed, that good men will always see beyond that.

Even after ‘not’ working for Charlie for 5+ years, he would still pick up the phone whenever she would call out-of-the-blue and be more than happy to help her.

Charlie was consistently firm but fair, he knew just how to empower Carmela, and also how to handle her wild ‘potty mouth’ ways. 😉

Charlie Fox is a great human. The only criticism that Carmela would have towards him, is that he is ‘too’ great. So much, that she struggled with the many bosses that came after him (especially the male ones in radio), because nothing would or will ever compare to being guided and trusted by the one and only, C-Fox.

Naturally, Carmela is beyond thrilled that Charlie Fox is the next #STFTL Prince Charming.

5 reasons we’re all here for season 2 of GLOW (and why your inner Kween needs to binge it stat!!)

5 reasons we’re all here for season 2 of GLOW (and why your inner Kween needs to binge it stat!!)

5. Season 2 of GLOW (Gorgeous Ladies of Wrestling) continues the brilliant story of these kick-ass, flawed, edgy, colourful, misfit female characters; who happen to make us all question what we’re really saying when we say “I’m not racist/sexist/homophobic but…”

Liberty Belle

The Welfare Queen

Beirut The Mad Bomber

Fortune Cookie

4. The honest depiction of female relationships is everything!! The raw dynamic between Ruth (Alison Brie) and Debbie (Betty Gilpin) as they try to repair their friendship is real AF. This reveals the good, the bad and the ugly of most female bonds; confirming that feminism is not about attacking men, but mostly about not attacking each other.

3. The writers throw a little #MeToo and #Weinstein storylines in for the sake of relevance; giving this modern nightmare a little light relief but cementing more than ever, that this sort of behaviour has been around longer than we all dare to admit. Ruth’s incident shows that women can be victimised and empowered at the same time but also why women shy away from opening up about these awful events, which is a real eye-opener and damn shame!!

2. The style is so so soooo 80s, at it’s best. Welcome to a time when the fashun code was ‘more is more’. You are in for a treat! Get ready for some big hair and blue glitter eye shadow inspo.

1. The soundtrack is E P I C, filled with bangin, deadly, schweet, sick, jams!! I mean, sure we all love a bit of nostalgia but these tunes matched with the rise and fall of these characters is a power combo made in glam heaven. Psst! If you need a workday pick me up, give the below a spin.

Kween Krush: YOLANDA RAMKE “Being A Female Filmmaker In A Post-Weinstein World.”

Kween Krush: YOLANDA RAMKE “Being A Female Filmmaker In A Post-Weinstein World.”

Kween Krush alert!! This is where we celebrate everyday women for being complete badass Wonder Women.

Yolanda, we have a crush on you because you’re living out your dreams and passions daily, all while doing it in a pretty tough, male-dominated industry. Despite all of that, you’re seriously crushing it and leaving your mark the film world.

How does it feel to call yourself a female filmmaker?

To be honest, I never really thought to consciously define myself that way in the beginning. I think that probably stems from being a bit of a tomboy growing up and not being especially interested in things that were typically associated with the feminine. I always resisted and resented it when I was pressured into emulating those qualities, because they didn’t really come naturally to me. By the time film school came around, I just wanted to be a filmmaker full-stop, I didn’t really think about the fact that I was a woman while doing it. But in the past few years that has shifted for me; the more engaged I’ve become in the conversation surrounding the representation of women both behind and in front of the camera, the more I’ve realised that I’ve had my blinkers on and that being a female filmmaker actually is an important point of difference because we’re one of many minorities in this industry.

We have had to fight harder to have our stories told and our voices heard and our proficiencies go unquestioned. So, as a female writer and director, if the work I do can in some way contribute positively to the dialogue around this, I would be very proud of that – particularly in terms of the perception of women in genre filmmaking. I think we are often seen through a fairly narrow prism in terms of what projects might appeal to us (both as practitioners, and as audience members), and it’s a narrative that doesn’t sync up at all with what often excites me – or any of the female filmmakers I know – as a storyteller and viewer. I’d love to see that misconception blown out of the water.

So it means even more to you considering the current climate?

The most recent study by Screen Australia determined that from 1970 – 2014 only 16% of feature film directors, 21% of feature film writers, and 30% of feature film producers were women. The figures for women of colour, LGBTQI and women with disabilities was, of course, even lower. That is objectively an insane imbalance. Four years later and we’ve still got a long way to go. Especially when you consider the fact that men and women are graduating from film schools around the country in equal numbers. So the maths is against us. But, what’s changing is the conversation – and it’s no longer just talking, it’s active, it’s becoming incentivised, women and men in all tiers of the system are starting to make tangible efforts to correct this. It’s an ongoing global discussion point, and the fear that it would just be the flavour of the month is thankfully proving to be quite the opposite. It’s a genuine movement. So I feel quite optimistic about where we’re headed, even if we’ve still got quite a bit of work to do to get there.

As you just stated, in Australia only 16% of films are directed by women. What can be done to change it?

I think things are gradually changing to try and shift that statistic. Visibility is of course a huge part of this, and just consciously ensuring that – especially for young girls who have an interest in this field – we are sharing images of women on sets directing or working as cinematographers so that it doesn’t even become a question of whether that’s possible, because the evidence is there everywhere they turn. I think  #FemaleFilmmakerFriday has been an awesome grassroots approach to supporting that concept. And the more we all see women like Patty Jenkins directing the shit out of a big-budget comic book film like Wonder Woman or Rachel Morrison shooting the hell out of Black Panther, I mean, these women are blazing trails and it’s incredibly inspiring – for female filmmakers, of course, but I would hope also for aspiring male filmmakers too.

When did you first realise that you loved film and wanted to direct?

I caught the bug early. I was five-years-old when my Dad brought home our first camcorder, and I felt an instant, obsessive need to understand how it worked and to be trusted to wield its power. I grew up in rural mining towns, so the cinema was a very rare treat. Instead I used to raid the local video store, compulsively tape off free-to-air and orchestrate neighbourhood ‘reboots’ with my friends. If I had to pick a single, formative movie experience that probably cemented my path, it would have to be Jurassic Park. That film is essentially my generation’s Star Wars, the seminal blockbuster of my childhood. It had a physiological effect on me, and everyone in that theatre. It was electric. Jaw-dropping. I think that’s when it dawned on me that somebody was behind that screen pulling the strings, and I wanted in.

What did you do to advance this passion? Was it encouraged by your family and friends?

I did the film school thing and that was a helpful introduction. And then I basically spent about seven years working behind the scenes in the industry on other people’s projects (films and local TV dramas, reality TV, you know name it) just to learn how all the pieces fit together. Throughout that period I was developing my own material on the side and voraciously devouring films and TV shows, reading books about filmmaking and screenwriting and basically just educating myself as much as possible. My family were supportive pretty much from the get-go. Like most parents they had reservations, they were anxious for me because nobody in my extended family had ever really embarked upon a creative career before, so it was essentially fear of the unknown. I think there’s definitely also that perception of the industry being cutthroat and fickle, so that probably played into their thinking as well. But overall, I’ve felt extremely supported, and that feeling is only growing.

One of your partners-in-film-crime is a man (Ben Howling). What type of a working dynamic do you both have and would it surprise the normal stereotype of how a woman and man work together?

It’s interesting, because I’ve directed solo as well, and I’ve also directed with a female co-director (Danielle Baynes, who was also my co-writer and co-star on the 2016 short film Cold Hearts), so for me it’s kind of a fluid thing. I understand that that’s a little unconventional, directors usually work exclusively as an individual or in a set partnership, but I haven’t ever really felt the need for professional monogamy so to speak. That said, I love collaborating with Ben, he’s a very good friend of mine, so our working relationship is founded on that, and also the fact that when it comes to genre projects we share a very similar taste and sensibility. Our working dynamic probably isn’t that surprising, no. Given that I wrote the screenplay for Cargo and have studied acting, I’m typically a bit more across matters of story and performance, whereas Ben comes from a shooting/editing background, so he’s a bit more savvy with the some of the more technical aspects of the job, but we don’t formally delineate between those things, there’s a huge amount of crossover.

Were you at all shocked by the Weinstein bombshell that hit late last year? Did this reflect any of your own experiences?

I wasn’t shocked at all, which is probably very disturbing in itself. As the #MeToo movement took off, yes, it absolutely caused me to reflect on my experiences as a woman in general, not just as a woman working in the entertainment industry. It was horrifying to see how prevalent that hashtag was in the social sphere, hearing people you care about confiding about how they had been hurt (often in ways which mirrored encounters I’d had myself), but at the same time the feeling of unity and community and the global galvanisation that resulted was remarkable. These conversations had come and gone before, but there was something different about it this time. You could feel the collective rage that has been building up for women their whole lives, their mothers’ lives, their grandmothers’ lives, and it finally felt like there was a healthy place to put that anger and defiance – it was justified, and shared, and essential. May it only gather steam, and push society forward.

You’ve done some amazing work so far; in 2017 you completed your debut feature film Cargo which has made the list of “10 Australian Films To Watch In 2018“. Though it may feel like a lifetime ago now, could you give us some insight as to how this got started and how it went from a short film to this Australian movie juggernaut?

We shot the short back in December 2012, and it was Tropfest finalist come February. It was then posted online, and we were fortunate enough that it was curated on a handful of influential pop culture sites (BuzzFeed, Upworthy, Short Of The Week, Vimeo, i09). Within about a month it had landed about 1.5 million views on YouTube (it’s now almost 14 million). At that point, it was being passed around agencies in LA, which is how my co-director Ben and I wound up signing with CAA. By April we were in LA armed with a treatment for the Cargo feature, and were meeting with potential producers. Two weeks later, we came back to Australia with US producers attached to developing the project with us. I spent the rest of that year writing the first draft of the script, and from there our Australian producers came on board, and then we were off and running. From the time we shopped that first treatment through to multiple drafts of the script, financing, casting, shooting, post-production etc. to the time we release in mid-May this year, it’ll have been 5 years. So it’s been this very strange combination of a whirlwind ride and a slow climb, just constantly oscillating between the two.

What types of film would you like to make in the future?

I’ve always just been such a fan of so many different genres of stories, so I’d really like to try my hand at all sorts of things. I’ve been lucky so far that each project I have worked on has felt like a departure from the one that came before. As a writer, I’ve recently been commissioned to adapt a WWII book into a feature, followed by a crime/thriller novel into a TV pilot, and that variety of genres and formats has just been so much fun to play with. I do love genre films, though, so that’s certainly territory I’m sure I’ll drift back toward – projects that have some kind of subtle supernatural thread.

As a white female filmmaker, I’m conscious of the fact that I have privilege of my own to keep in check, and that’s something I need to continually interrogate within myself. Whatever challenges I have encountered go twofold for minority female filmmakers. Other than the roles written for and stories told about women and films in general being made by women, I really look forward to a time when the very language and vocabulary we use to describe female characters evolves too. As Shonda Rhimes said recently, we need to stop using phrases like “Smart, Strong Women” and “Strong Female Leads” because there are no “Dumb Weak Women”, there are just women. She also points out that ‘women’ aren’t simply the latest trend, and actually we make up half of the planet, so yeah… what Shonda said.

Carmela has only met Yolanda once, but of course it was in the most unforgettable way: a friend’s Birthday party, followed by a late-night karaoke session. Little did Yolanda know that Carmela had actually been dying to meet her for months and she was definitely not disappointed. Carmela can now revel in the fact that sometimes it’s ok to meet your heroes.